Welcome to Perfect, Indiana, where the heartbroken go to find hope again...Cory Marcel built a successful military career over eight grueling years. But after her commanding officer brutally assaulted her, she lost everything. Shattered, Cory reluctantly agrees to work at a furniture store in the picturesque town of Perfect...but she wonders if she can ever escape the demons haunting her. Ted Lovejoy may have cofounded Langford & Lovejoy Heritage Furniture, but these days, everyone makes decisions without him. He's ready to walk away from his beloved business...until he sees Cory. Now he finds himself determined to help the fragile brunette rebuild her life. Every time Ted gets too close to Cory's heart, she pushes him away. But this kind, soft-spoken man could hold the key to healing her past and to creating a loving future for both of them - if only Cory can learn to trust once more.
Arthur Roberts was a schoolmaster in country NSW (1861 to 1894) and it was education and the changing educational system that shaped his life. Born in the hop-growing region of Kent, England, his life and prospects were transformed by a wave of educational reform that carried him far from family, class and country. Roberts found himself on the frontier of attempts to establish a national school system in Australia. With a swiftly growing family - one with a severe disability - he was moved from one struggling district to another, fighting insolvency, ignorance, natural disaster and bitter sectarian divides. His letters requesting schoolroom furniture, upgrades to buildings and teaching assistants give some insight into his plight. Photographs and family folklore reveal a taciturn, deeply flawed man while the evidence of writings (as Scone correspondent for The Maitland Mercury) suggests a fiery intelligence and defiant pride. This is amplified by a portrait of Roberts in Havelock Ellis's autobiographical novel, Kanga Creek. The schoolmaster, Mr Williams, is portrayed as an educated and passionate agnostic who uses the pen name Anti-Humbug when writing letters to The Stockwhip, a journal possibly modeled on publications like The Bulletin. This narrative presents these contradictions and hopefully gives the reader some sense of this teacher's journey.
This book presents an attempt to understand the nature of technical artefacts and the way they come into being. Its primary focus is the kind of technical artefacts designed and produced by modern engineering. In spite of their pervasive influence on human thinking and doing, and therefore on the modern human condition, a philosophical analysis of technical artefacts and engineering design is lacking. Among the questions addressed are: How do technical artefacts fit into the furniture of the universe? In what sense are they different from objects from the natural world, or from the social world? What kind of activity is engineering design and what does it mean to say that technical artefacts are the embodiment of a design? Does it make sense to consider technical artefacts to be morally good or bad by themselves because of the way they influence human life? The book advances the thesis that technical artefacts, conceived of as physical constructions with a technical function, have a dual nature; they are hybrid objects combining physical and intentional features. It proposes a theory of technical functions and technical artefact kinds that does justice to this dual nature, analyses engineering design from the dual nature point of view, and argues that technical artefacts, because of their dual nature, have inherent moral significance.
"In the following pages the Author has placed before the reader an account of the changes in the design of Decorative Furniture and Woodwork, from the earliest period of which we have any reliable or certain record until the present time. A careful selection of illustrations has been made, and the representations of the different interiors will convey an idea of the character and disposition of the furniture of the periods to which they refer." Contains chapters on Roman furniture, the Renaissance Period and its variations throughout Europe, Asian furniture, and many more. Originally released in 1892.
To mark the 800th anniversary of the ratification of the Magna Carta by King John at Runnymede, Magna Carta provides the central European perspectives on this monumental document and its impact on the political and legal experiences of freedom, from the medieval period to the present day. The volume gives rise to a discussion about the legacy of the Magna Carta as one of the fundamental elements of European identity. Supported by previously untranslated sources at the end of each chapter, the team of contributors consider the lasting legacy of Magna Carta in Hungary, the Czech Republic, Poland and Lithuania. The authors present the successful attempts to limit royal power by law while protecting the priveleges of the nobility carried out throughout the region from the thirteenth to eighteenth centuries. Each chapter considers the historical and political contexts behind these efforts, the processes by which political and legal institutions were subsequently formed and finally examines the legacy of those institutions which are today found in constitutional identities, constitutional arrangements and political projects across Central Europe. A preface by Robert Blackburn draws the collection together, highlighting the continued universal significance of the Magna Carta. This original title will enable students and academics alike to see for themselves the reverberations the Magna Carta caused in medieval Europe and beyond from a fresh and unusual perspective.
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